When Clark Gable (at left, circa 1927) first arrived in Hollywood in 1925, he would do anything or use anyone to advance his career. His first two wives were decidedly unglamorous older women; he was a kept man living the lifestyle of a star. As soon as Gable touched the limelight, he abandoned his second wife and followed wherever his penis led. He tore through Hollywood’s women with the appetite of a starving teenager, with one notable exception.
Gable had one homosexual encounter that is well documented. The great silent film star Billy Haines, who was the most popular male film star of 1930, was the hub of gay Hollywood. He told all his friends about his sexual hookup with Clark Gable in the late 1920s, which was unusual, since Haines never bragged about such things. Haines knew first hand the damage that could be caused by a public knowledge of homosexuality. Joan Crawford confirmed the story, and her testament holds up under scrutiny because she was the lifelong best friend of both men. She had no reason to lie about either star, and she cherished the friendship of both. Billy Haines, who is today just a footnote in the annals of early Hollywood lore, could open doors to up and coming actors, so it is understandable the Gable might drop trou in exchange for the contacts and introductions Haines could provide. Haines absolutely transformed Joan Crawford, who was a rather slutty dance whore before her total makeover by Billy Haines. For details, look for my post on William Haines in the sidebar to the right.
More than ten years later Gable avenged his gay encounter. Hollywood was awash with both homosexuals and Jews, and Gable let it be known that he held both in disdain. By 1939 Gable had come to personify the image of a super macho male star. During filming of Gone with the Wind, Gable was uncomfortable by the presence of Billy Haines, who visited the set as a guest of director George Cukor (who was both homosexual and Jewish). When Gable overheard the comment, “George Cukor is directing one of Billy’s old tricks,” Gable walked off the set and vowed not to return until Cukor was replaced. A little too sensitive, perhaps?
MGM decided it needed Gable more than Cukor for this project, and Victor Fleming was ushered in as replacement director, even though Cukor had already worked for two years on preproduction and early filming. Although Gone with the Wind became one of the great films of all time, the incident didn’t harm the career of George Cukor, who immediately began working on The Women and continued to make top grossing films.
Gable, below, circa 1931, without a moustache (or cigar). Gable died at the age of 59 in 1960, before his last film The Misfits (with costar Marilyn Monroe) was released.
From a 1939 press report:
Clark Gable and Carole Lombard met first in 1932, while making a picture called No Man of Her Own. Gable was then a novice leading man, only four years removed from the career of bumming, lumberjacking and cheap stock company acting. Carole Lombard was an ex-Mack Sennett comedienne trying hard to make a reputation as a serious actress. Both were married to others. Gable’s wife was a well-to-do Texas widow ten years his senior. Lombard’s husband was Actor William Powell. At this first meeting, neither Gable nor Lombard showed any interest in the other.
Their next meeting of importance occurred at a party given by Hollywood’s famed Countess di Frasso in 1935. By this time, Carole Lombard had divorced William Powell and Gable was no longer living with his wife. Countess di Frasso’s guests had been asked to come in something white. Carole Lombard arrived in a white ambulance, wearing a white nightgown, lying on a white cot which was carried in by three white-clad interns. She and Gable danced together all evening. Later, Lombard had the ambulance decorated with a red heart and sent it to Gable. He had the motor supercharged and drove about in it for two years.
Later on, to show her affection for Gable, Carole Lombard sent him hams with his picture painted on them. He reciprocated with a gift of a fire engine. Soon Gable and Lombard called each other “Ma” and “Pa.”
The progress of the Gable-Lombard romance was apparently impeded by Mrs. Gable until January, 1939, when she announced that she would sue for a divorce. When the divorce was granted, March 7, Clark Gable and Carole Lombard at last admitted they would marry, without saying when.
In March (1939) Clark Gable got into his cream-colored roadster, picked up Carole Lombard and drove 350 miles east to Kingman, Ariz. There they bought a license from an awestruck clerk named Viola Olsen, and proceeded to the home of a Methodist Episcopal minister named Kenneth M. Engle. In the presence of his wife and a high-school principal named Cate, who later defined their behavior as “lovey-dovey,” Mr. Engle made Clark Gable and Carole Lombard man & wife. Gable wore blue, Lombard grey.
Immediately after the ceremony, Mr. & Mrs. Gable started back to Hollywood. They told reporters they would not take a honeymoon until Gable was through making Gone With the Wind, and Lombard her next picture, Memory of Love, for RKO. They expected, within two weeks, to move into Gable’s ranch house in San Fernando Valley. They did not expect to call it “the House of the Seven Gables.” Asked whether she would retire and have children, Carole Lombard blushed.
Next day, Gable was back at work and the Gable-Lombard romance took its place among Hollywood classics of its kind – Douglas Fairbanks and Mary Pickford (divorced), Douglas Fairbanks Jr. and Joan Crawford (divorced), John Barrymore and Dolores Costello (divorced), Charlie Chaplin and Paulette Goddard (undefined).
Trivia: After Gable was crowned “The King of Hollywood“, Carole Lombard joked, “If his c*ck was one inch shorter, they’d be calling him the Queen of Hollywood. God knows I love Clark, but he’s the worst lay in the town.”